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備注:已完結(jié)
類型:劇情片
主演:DustinMilligan KatharineIsabelle Me
導(dǎo)演:RossFerguson
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Nicholas Gray a young, driven executive has a secret not even he knows about. As battles with a business rival threaten to crumble Nicholas' carefully planned world, Nicholas meets a charismatic drifter who challenges his life philosophy. Nicholas changes his outlook, loses everything... then decides to get it back..
備注:已完結(jié)
類型:劇情片
主演:瑪麗·伊麗莎白·溫斯特德 泰莎·湯普森 瑞利·史密斯 約翰·里爾登 朱
導(dǎo)演:DarrenGrant
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:印第安納州一個(gè)人口不足千人的小鎮(zhèn),一所舞蹈學(xué)校也沒有,這里就是21歲的羅琳?寇比(瑪麗?伊麗莎白?文斯蒂德 Mary Elizabeth Winstead 飾)從小生活的地方。羅琳父母留下的小汽配廠現(xiàn)在由哥哥掌管,并且不出意外的話,羅琳以后的人生也將圍繞汽配廠展開……可這不是她想要的生活,羅琳多年來一直自學(xué)舞蹈,這次她自駕前往芝加哥參加舞蹈學(xué)校的入學(xué)考試,希望得到錄取以改變?nèi)松??! ∪欢Y(jié)果是殘酷的,被淘汰的羅琳不甘于回家,在一位落考前輩的幫助下,她在舞廳找到了一份記賬員的工作,并告誡自己舞廳的艷舞并非自己的風(fēng)格,然而舞蹈的天性是不能隱藏的,終于因一個(gè)舞者的缺席,羅琳得到了一次展示自己的機(jī)會(huì)…
備注:已完結(jié)
類型:動(dòng)作片
主演:卡梅隆·迪亞茲 德魯·巴里摩爾 劉玉玲 比爾·默瑞 山姆·洛克威爾 凱
導(dǎo)演:約瑟夫·麥克金提·尼徹
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:查理先生手下有三名女打手,她們才貌雙全擁有一身好功夫,專門接受查理先生的命令為他人伸張正義。她們分別是:娜塔莉(卡梅倫?迪亞茲 飾)、戴蘭(茱莉?巴里摩爾 飾)與艾利克斯(劉玉玲 飾)。 她們最近接受了一個(gè)任務(wù):艾瑞克?克諾斯(薩姆?羅克韋爾 飾)先生設(shè)計(jì)了一款高科技的聲音辨別系統(tǒng)。艾瑞克卻不幸被綁架了,這三名“天使”需要從不法分子手中拯救艾瑞克。因?yàn)檫@套由艾瑞克設(shè)計(jì)的高科技系統(tǒng),一旦被不法分子利用的話后果堪虞。 三位“天使”得知情況后,很快聯(lián)想到了艾瑞克公司的對(duì)手,該負(fù)責(zé)人羅格成為了最大的嫌疑。三人于是日夜調(diào)查羅格的行蹤,也掌握了重要的線索。正在她們有把握拯救艾瑞克的時(shí)候,一通電話打破了她們?nèi)说娜P計(jì)劃。
備注:已完結(jié)
類型:恐怖片
主演:布瑞亞·格蘭特 娜嘉拉·湯森德 Laura Kirk Kyle Ame
導(dǎo)演:吉爾·格瓦吉茲安
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:每個(gè)人都?jí)粝氤蔀榱硪粋€(gè)人……但對(duì)Claire(娜亞拉唐珊德Najarra Townsend 飾)來說,這個(gè)夢(mèng)想從癡迷變成一場(chǎng)惡夢(mèng)。白天是發(fā)型師,晚上是連環(huán)殺手兼頭皮收藏家。當(dāng)??蚈livia(布瑞亞格蘭特BreaGran t飾)聘請(qǐng)Claire擔(dān)任她婚禮當(dāng)天的發(fā)型師,寂寞的Claire的生活開始陷入混亂。癡迷于Olivia看似完美無缺的生活,Claire誓言要金盆洗手,改邪歸正。卻發(fā)現(xiàn)壓抑自己的欲望說起來容易,做起來可沒那么簡(jiǎn)單……。
備注:已完結(jié)
類型:恐怖片
主演:Marshall Thompson Shirley Patterson
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
備注:已完結(jié)
類型:劇情片
主演:VeronicaValencia MelinnaBobadilla V
導(dǎo)演:DanteBetteo
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:這是一部獨(dú)立的新派黑色電影。根據(jù)著名文人Alejandro Murguia的作品改編。電影帶領(lǐng)觀眾深入常人不熟悉的街區(qū),通過拉丁裔酒店火災(zāi)事件的探尋,發(fā)掘街區(qū)中掩藏的腐敗與墮落,同時(shí)揭露中產(chǎn)階級(jí)與貧困群體的彷徨。
備注:已完結(jié)
類型:劇情片
主演:茜茜·斯派塞克 JaneGallowayHeitz JosephA.C
導(dǎo)演:大衛(wèi)·林奇
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:阿爾文史崔特先生(理查德·法恩斯沃斯 Richard Farnsworth 飾)已經(jīng)七十多歲了,他不僅個(gè)性孤僻古怪,視力狀況也每況愈下。史崔特先生和女兒羅斯(茜茜·斯派塞克 Sissy Spacek 飾)相依為命,父女兩人的日子雖然過得清貧,但也不失寧?kù)o和樂趣。