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備注：已完結(jié)
類型：喜劇片
主演：杰弗里·多諾萬 佩內(nèi)洛普·米契爾 理查德·布雷克 凱麗·科納佩 杰克·
導(dǎo)演：保羅·萊頓
語言：英語
年代：未知
簡介：Set in the American West of 1876, 'R.I.P.D.2: Rise of the Damed' is a spiritual (pardon the pun) sequel to 2013's 'R.I.P.D.' Sheriff Roy Pulsipher isn't too thrilled about finding himself dead after a shoot out with a notorious outlaw gang, but he does get a second chance to return to earth after being recruited by the R.I.P.D. (Rest In Peace Department.). But avenging his own ...
備注：已完結(jié)
類型：動畫片
主演：Vivien Rujder 諾拉·特羅坎 Szabolcs T
導(dǎo)演：拉茲洛·奇基
語言：匈牙利語
年代：未知
簡介：What good is freedom if you can’t afford it? As the Berlin Wall tumbled across the Eastern Bloc in the 1990s, it drew aside the Iron Curtain’s repression and physical containment of Hungarian citizens. The borders to the rest of Europe, and indeed the world, were now open—but only for those who could afford the extraordinary cost of travel. With nothing to lose, three young tricksters happen upon the fact that the distinctive blue ink used on international train tickets allows for easy forgery. Soon, these accidental kingpins of a capitalist syndicate find themselves caught in the wheels of an old-school communist police investigation. Droll animation tells the little-known story of an unlikely gang that valiantly tripped open the West for a new generation. Watch incredulously as the cops crack the scheme but not the youthful spirit of self-determination in this comical tale.
備注：已完結(jié)
類型：劇情片
主演：保羅·馬蒂斯 安娜·梅索伊 阿科斯·“達(dá)丹”·科瓦奇 伊內(nèi)茲·馬蒂斯
導(dǎo)演：巴林特·茨姆勒
語言：匈牙利語
年代：未知
簡介：本片是匈牙利年輕導(dǎo)演巴林特·茨姆勒的劇情長片首作，聚焦十歲男孩帕爾科從德國轉(zhuǎn)學(xué)至匈牙利后，因自由散漫的作風(fēng)與嚴(yán)苛校規(guī)格格不入，被貼上“問題兒童”的標(biāo)簽。體育老師的暴力體罰加劇了他的自我封閉，直至新來的文學(xué)教師尤西以同理心打破隔閡，與他共同挑戰(zhàn)僵化的教育體制，展開一場關(guān)于創(chuàng)傷治愈與人性覺醒的無聲抗?fàn)?。師承超現(xiàn)實(shí)主義大師伊爾蒂科·茵葉蒂的巴林特·茨姆勒，以細(xì)膩冷冽的鏡頭語言剖開教育系統(tǒng)的暴力內(nèi)核。影片入圍第77屆洛迦諾電影節(jié)當(dāng)代電影人單元最佳影片，女主獲得最佳女演員。
備注：已完結(jié)
類型：恐怖片
主演：阿麗亞娜·德博斯 馬爾頓·索克斯 芭比·費(fèi)雷拉 阿瑪拉·卡蘭 阿里安·
導(dǎo)演：布麗吉特·薩維奇·科勒 丹妮拉·克魯?shù)?/a>
語言：英語
年代：未知
簡介：一名廚師終于開了自己的高檔餐廳，但地址選在了鄉(xiāng)野傳說中女巫住過的“鬼屋”，可怕的事情發(fā)生：食物里有蟲子爬出，血腥事件來臨……
備注：已完結(jié)
類型：喜劇片
主演：多蘿塔·塞格達(dá) 奧列格·揚(yáng)科夫斯基 保盧斯·曼克 彼得·翁多勞伊 Gá
導(dǎo)演：伊爾蒂科·茵葉蒂
語言：其它
年代：未知
簡介：本片將視角對準(zhǔn)20世紀(jì)初，以當(dāng)時(shí)歐洲社會的變化為背景。一對孿生姐妹出世后就分道揚(yáng)鑣，后來一個(gè)成了勾引富有男人的名媛，另一個(gè)則是身綁炸藥從事恐怖活動的無政府主義者。兩人不知情上了同一趟東方快車，并且跟同一個(gè)男人發(fā)生關(guān)系。當(dāng)她倆終于面對面時(shí)，她們均擺脫了先前的習(xí)性，成了真正的獨(dú)立女性。
備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：戰(zhàn)爭片
主演：MarcellNagy BélaDóra BálintPéntek á
導(dǎo)演：拉喬斯·科泰
語言：匈牙利語 / 英語
年代：未知
簡介：二戰(zhàn)期間，戰(zhàn)爭與死亡的陰云籠罩整個(gè)歐洲，無一國家幸免。 居住在匈牙利的14歲猶太青年卡維（Marcell Nagy 飾），在乘車探望父親的路上被納粹軍人攔下，隨后被送往集中營。在這個(gè)非人的所在，死亡、疾病、虐待、恐懼時(shí)刻威脅著他們的生命。聽取了好友凱爾泰斯的建議，卡維發(fā)誓無論如何也要活著走出這個(gè)人間地獄…… 本片根據(jù)2002年度諾貝爾獲獎(jiǎng)作家伊姆雷?凱爾泰茲（Imre Kertész）的同名小說改編，并榮獲2005年波蘭Camerimage電影節(jié)金蛙獎(jiǎng)和2005年哥本哈根國際電影節(jié)最佳攝影獎(jiǎng)。
