備注：已完結(jié)
類型：喜劇片
主演：萊斯莉·卡倫 莫里斯·舍瓦利耶 路易斯·喬丹 赫米奧妮?金戈爾德 伊娃
導(dǎo)演：文森特·明奈利
語言：英語
年代：未知
簡介：琪琪（萊斯利·卡倫 Leslie Caron 飾）是一個美麗天真的少女，自小被祖母撫養(yǎng)長大的她養(yǎng)成了自由又不羈的性格。祖母希望琪琪能夠成為一位出入上流社會的淑女，為此，她將琪琪送往了她的姨媽家接受特殊的訓(xùn)練課程。在姨媽家，琪琪遇見了帥氣多金的加斯東（路易斯·喬丹 Louis Jourdan 飾），在琪琪年幼的時候，他們早已相識，而此時的琪琪已然出落成為了亭亭玉立的模樣，這讓加斯東的內(nèi)心蕩漾起了漣漪?！ ∽婺笇⒓铀箹|對琪琪的感情全都看在了眼里，開始想方設(shè)法撮合兩人。一番波折后，琪琪和加斯東終于兩情相悅了，加斯東不僅送給琪琪珍貴的珠寶，還帶著她出入各類上流社會的高檔舞會。面對突如其來的榮寵，琪琪有些得意忘形，而她的所作所為沒有逃過加斯東的雙眼。
備注：已完結(jié)
類型：科幻片
主演：大衛(wèi)·海迪生 帕特里夏·歐文斯 文森特·普萊斯 赫伯特·馬歇爾 凱瑟琳
導(dǎo)演：庫爾特·紐曼
語言：英語
年代：未知
簡介：倒敘，科學(xué)家安德烈（大衛(wèi)·海迪生 David Hedison飾）的美貌妻子海琳（帕特麗夏·歐文斯 Patricia Owens飾）打來電話，向安德烈的弟弟弗朗索瓦（文森特·普萊斯 Vincent Price飾）求助。她向弗朗索瓦和警探坦白，自己剛剛殺害了丈夫安德烈。案發(fā)前，安德烈癡迷研發(fā)他的時空交錯機器，這個機器能夠?qū)⑷梭w分解傳輸?shù)搅硪粋€地方再重組?？伤f萬沒有想到的是：正在他埋頭實驗的時候，一只闖進來的丑陋蒼蠅飛進了機器…… 這部由二十世紀?？怂构居?958年推出的低成本科幻片《蒼蠅》，可謂史上經(jīng)典“變蠅人”的開山鼻祖。二十世紀?？怂构鞠嗬^推出1959年的《變蠅人回歸》和1965年的《蒼蠅的詛咒》。此后“蒼蠅熱”一發(fā)不可收拾，影響了八十年代的同類電影：1986年翻拍的《變蠅人》更加注重恐怖視覺的處理，榮獲奧斯卡最佳化妝獎，而在1989年推出《變蠅人2》接力演繹“蒼蠅熱”。
備注：已完結(jié)
類型：科幻片
主演：野村浩三 園田あゆみ 千田是也 平田昭彥 村上冬樹 土屋嘉男
語言：日語
年代：未知
簡介：科學(xué)萬能の現(xiàn)代、だが未だ地球上には解明できぬ謎が殘されている……。東北地方に、婆羅陀魏山神という神をまつる村があった。訪れた調(diào)査隊はそこで生ける神?バラダキを目撃する。それは湖に棲息する中生代の恐竜?バランであった。急遽出動した自衛(wèi)隊の攻撃を逃れ、バランは空へと舞い上がる。やがて姿を現(xiàn)したバランは、浦賀水道から東京上陸を狙う。３６ミリ機関砲さえ跳ね返すバランに対し、自衛(wèi)隊はダイナマイトの２０倍もの威力を誇る特殊火薬をもって対抗するが……。ミニチュアワークは相変わらず冴えているが、“未知の謎”を主題にしているわりにはストーリーが平板。冒頭からバランの全身を出し、その破壊力の描寫に終始している感がある。資料によっては「東洋の怪物」のサブタイトルも見受けられるが、フィルム?クレジット上には存在しない。
備注：已完結(jié)
類型：科幻片
主演：盧博爾·托科什 Arnost Navrátil 米羅斯拉夫·霍盧布 弗
導(dǎo)演：卡爾·齊曼
語言：其它
年代：未知
簡介：As its title suggests THE FABULOUS WORLD OF JULES VERNE is an awe -inspiring, meticulous cinematic rendering of the aesthetic and conceptual inventions of proto-science fiction genius Jules Verne, based on one of the famed author's lesser known short stories. However, the real star of the film is the intricate art direction, successfully rendering the visual style of nineteenth century woodcuts and engravings into motion pictures, creating a stylized and surreal graphic world within which Verne’s fanciful tale unfolds. A brilliant scientist, Dr. Roche, perches high above a stormy sea, inventing a powerful explosive, when he and his assistant are kidnapped by an evil businessman, Artigas. Taken by submarine to Artigas' volcano headquarters, Roche is tricked into developing his experiment for evil intentions. The scientist’s assistant, Simon, struggles all the while to free himself and warn Roche. A magical world of baroque submarines and sailing ships, killer octopus, undersea bicycles dazzles audiences as human actors, puppetry, animation and fanciful scenic design interact to create a cinematic experience that is unique by any standards. Mixing slapstick comedy, action adventure pacing and Mélies style film magic, this little known Czechoslovakian gem transcends the juvenile literature at its source to create cinematic art of the highest order....
備注：已完結(jié)
類型：劇情片
主演：查爾頓·赫斯頓 珍妮特·利 奧遜·威爾斯 約瑟夫·卡利亞 阿基姆·坦米
導(dǎo)演：奧遜·威爾斯
語言：英語 / 西班牙語
年代：未知
簡介：緝毒官員Newlyweds Miguel "Mike" Vargas(查爾登·海斯頓 Charlton Heston 飾）和他的妻子Susie（珍妮特·利 Janet Leigh 飾）來到了美國和墨西哥的邊界。馬路上發(fā)生了一起汽車爆炸事件，Vargas認為這起案件跟毒販子有關(guān)，遂和當?shù)氐木靷円黄鹫归_了調(diào)查。Hank Quinlan（奧遜·威爾斯 Orson Welles 飾）是警察隊長，在當?shù)孛暽蹴憽．數(shù)鼐桨严右杉性谝粋€叫Sanchez的人身上，Vargas卻在Sanchez的家中發(fā)現(xiàn)了證明他不是犯人的證據(jù)。然而Quinlan執(zhí)意認為Sanchez就是犯人。Vargas研究了以前Quinlan辦過的案件，對這個赫赫有名的警察隊長產(chǎn)生了不少疑問。而Vargas的妻子Susie在旅館里卻被一幫人所綁架并陷害，Vargas懷疑這一切的背后都是Quinlan在操縱。Vargas在和Quinlan的對抗中會有怎樣的結(jié)局？ 本片由執(zhí)導(dǎo)了《公民凱恩》的奧遜·威爾斯自編自導(dǎo)自演，共有三個版本：1958年發(fā)行的版本，1976年的加長版，1998年發(fā)現(xiàn)的可能更符合威爾斯想法的版本。?豆瓣
備注：已完結(jié)
類型：恐怖片
主演：Marshall Thompson Shirley Patterson
語言：英語
年代：未知
簡介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
